super intervenção..noite de 26 de maio de 2000.

ARTISTA DUCHA- PROJETO CRISTO REDENTOR

[[[[[[[[[[[[[CRISTO VERMELHO]]]]]]]]]]]]]]]]


:)

Scanner Corporal:Movimento Estático Estético

gostei,

o conceito de Super Homem se espalhando por aí...

..

MULHERES QUE TRABALHAM COM ESTÉTICA

MARINA ABRAMOVIC, JANINE ANTONI, VANESSA BEECROFT, LOUISE BOURGEOIS, HANNE DARBOVEN, SONIA DELAUNAY, RINEKE DIJKSTRA, MARLENE DUMAS, TRACEY EMIN, VALIE EXPORT, SYLVIE FLEURY, NAN GOLDIN, ELLEN GALLGHER, EVA HESSE, NANCY HOLT, REBECCA HORN, JENNY HOLZER, TOBA KHEDOORI..

VALE À PENA DAR UMA OLHADA.

TOBA KHEDOORI

Toba Khedoori (born 1964) is an Australian-born artist of Iraqi heritage, known primarily for highly-detailed mixed-media paintings executed on large sheets of wax-coated paper. Khedoori's works often fill the spectator's entire field of vision; a 'typical' Khedoori painting combines elements of drawing, painting, and art installation. Some of Khedoori's best-known paintings feature architectural renderings surrounded by a vast expanse of white or blank space. In recent years, Khedoori has incorporated natural imagery and landscape into her work.

Khedoori was born in Sydney and raised in Australia, and currently lives and works in Los Angeles, California. She received her MFA from UCLA in 1994. She is the identical twin sister of artist Rachel Khedoori, and the sister-in-law of the late artist Jason Rhoades.

Toba Khedoori is represented by Regen Projects, Los Angeles and David Zwirner, New York.

AMOR -VIDA-MORTE

ENZO CUCCHI

DO LIVRO DE ARTHUR C. DANTO: THE VISUAL ARTS IN POST-HISTORICAL PERSPECTIVE, BEYONDE THE BRILLO BOX.

...." IN A FAMOUS DISCOURSE ON THE RELATIONSHIP OF MIND TO BODY, WITTGENSTEIN IMPLIED THAT TO BE HUMAN IS TO BE A MIND EMBODIED: SO A PICTURE OF THE BODY IS JUST A PICTURE OF THE MIND WHEN WE REGARD OURSELVES AS EMBODIED MINDS OR SOULS."...

ARTE E ESTÉTICA SEGUNDO GOETHE - R. Steiner Ref. 9788571221031 - Seção Textos Escolhidos Editora: Antroposófica

GA 30 Goethe como inaugurador de uma estética nova. 3ª ed. 2007, 40 págs. "Para o artista, todo o lado externo de sua obra tem de expressar o interior; no caso dos objetos da natureza o interior não coincide com a forma externa, e o gênio humano tem de investigá-lo para chegar à sua cognição [... ]. Para as criações da arte não importa o que é, e sim o que poderia ser, não o real, e sim o possível." (R.S.)