"DE CERTA FORMA, NÓS CHEGAMOS NO FUTURO PREVISTO POR J. G. BALLARD EM SEU CONTO, 'MEMÓRIAS OF SPACE AGE'. O SENSO DE TEMPO DO PROTAGONISTA SE TORMA CADA VEZ MAIS ATENUADO ATÉ QUE ELE TERMINE PRESO EM UMA PEQUENA REGIÃO DA ETERNIDADE, TENDO ACELERADO EM UM MUNDO ALÉM DO TEMPO: A UTOPIA DO MOMENTO CONGELADO. É A VISÃO MÍSTICA DE BLAKE DA ETERNIDADE EM UMA HORA, ATUALIZADA PARA A IDADE DO FLASH ESTROBOSCÓPICO DE "DOC" EDGERTON. BALLARD IMAGINOU O MOMENTO -NOSSO MOMENTO- QUANDO O SALTO DE CABEÇA DA IDADE MODERNA FINALMENTE ATINGIU A VELOCIDADE TERMINAL. A IMAGEM DA VELOCIDADE- "VELOCIDADE ESTONTEANTE" NO PRIMEIRO ANO DO SÉCULO 21, É UM HUMANO EM UMA CADEIRA, OLHANDO PARA A TELA, INDO A LUGAR NENHUM A BILHÕES DE BITS POR HORA"
MARK DERY- "NÃO DEVO PENSAR EM COISAS RUINS". P 114
quarta-feira, 12 de janeiro de 2011
J. G. Ballard: Memories of the Space Age
Pringle, David and Goodard. "Interview with J.G. Ballard." 4 January 1975. Available online 5 January 2004. http://www.solaris-books.co.uk/Ballard/Pages/Miscpages/interview4a.htm
terça-feira, 11 de janeiro de 2011
Peeping Tom: Expressão idiomática na língua inglesa ...
Essa expressão "Peeping Tom" , de quem olha escondido, um voyeur, vem, segundo ouvi, de quando a rainha (Lady Godiva) cavalga nua no povoado para fazer afronta à seu esposa, o rei (Leofric-Earl of Mercia), por causa de impostos cobrados pelo rei e doações que ela fazia.
Todos os súditos fecharam as suas janelas em respeito à Rainha, o único que ficou espionando foi "Tom".....
expressão idiomática nos EUA E Inglaterra para as pessoas que são voyeurs...espiãozinhos...
(pē'pĭng)
n.
A person who gets pleasure, especially sexual pleasure, from secretly watching others; a voyeur.
Todos os súditos fecharam as suas janelas em respeito à Rainha, o único que ficou espionando foi "Tom".....
expressão idiomática nos EUA E Inglaterra para as pessoas que são voyeurs...espiãozinhos...
(pē'pĭng)
n.
A person who gets pleasure, especially sexual pleasure, from secretly watching others; a voyeur.
[After the legendary Peeping Tom of Coventry, England, who was the only person to see the naked Lady Godiva.]
WORD HISTORY In an age when we can speak of peeping Tom cameras or electronic peeping Toms we have indeed come far from the time of the legendary peeping Tom. Godgifu (fl. 1040-1080), Lady Godiva to us, pledged her legendary ride as a means of persuading her husband, Leofric, Earl of Mercia, to lower taxes. In the original version of the story she was observed by all the townspeople as she disrobed, but in a much later version of the story a tailor or butcher named Tom was the only person to observe her as she rode by, everyone else having shuttered their windows as they had been asked. Peeping Tom, first recorded around 1796, has become a term for a voyeur, not at all a pleasant fate for this legendary fellow. As W.H. Auden has said, "Peeping Toms/are never praised, like novelists or bird watchers,/for their keenness of observation."
O Segredo da Inclinação de Michael Jackson no vídeo Smooth Criminal
Michael Jackson's patented "Smooth Criminal" leaning shoes
Patent number 5255452, filed in 1992, shows how Michael Jackson and his dancers could lean at 45-degree angles during live performances of the song "Smooth Criminal".
1. A system for engaging shoes with a hitch mans to permit a person standing on a stage surface to lean forwardly beyond his or her center of gravity, comprising:at least one shoe having a heel with a first engagement means, said first engagement means comprising a recess formed in a heel of said shoe covered with a heel slot plane located at a bottom region of said heel, said heel slot plate having a slot formed therein with a relatively wide opening at a leading edge of said heel and a narrower terminal end rearward of said leading edge, said recess being larger in size above said terminal end of said slot than is said terminal end of said slot; and
a second engagement means, detachably engageable with said first engagement means, comprising a hitch member having an enlarged head portion connected by a narrower shank portion to a means for raising and lowering said head of said hitch member above and substantially level with or below said stage surface, said head portion being larger in size than said terminal end of said slot and said shank portion being narrower than said terminal end of said slot, wherein said hitch member can be moved through apertures in said stage surface between a projecting position raised above said stage surface and a retracted position at or below the stage surface, and when said head portion of said hitch member is raised above said stage surface, said first engagement means can be detachably engaged with said projecting hitch member, thereby allowing a person wearing the shoes to lean forwardly with his or her normal center of gravity beyond a front region of said shoes, and maintain said forward lean.
You can see them perform the move in the below video; watch the guy on the right, as he has trouble disengaging his loafers after the move.(infelizmente o vídeo não se encontra mais à disposição na internet por causa de direitos autorais...)
(texto do Site Boing Boing!)
65 Comments
segunda-feira, 10 de janeiro de 2011
THEODOR W. ADORNO: "TEORIA ESTÉTICA" , P241
"SE HOJE NADA É COERENTE, É PORQUE A COERÊNCIA DE OUTRORA ERA FALSA. O FECHAMENTO DO SISTEMA DE REFERÊNCIA ESTÉTICO E, EM ÚLTIMA ANÁLISE, EXTRA-ESTÉTICO E A DIGNIDADE DA PRÓPRIA OBRA DE ARTE JÁ NÃO CORRESPONDEM. A PROBLEMATICIDADE DO IDEAL DE UMA SOCIEDADE FECHADA COMUNICA-SE TAMBÉM AO IDEAL DA OBRA DE ARTE FECHADA. INCONTESTAVELMENTE, AS OBRAS DE ARTE, COMO REPETEM INABALAVELMENTE OS REACCIONÁRIOS, PERDERAM O SEU EMPENHO. A PASSAGEM À ABERTURA TORNA-SE HORROR VACUI; QUE ELAS FALEM ANONIMAMENTE E, POR FIM, NO VAZIO, MESMO DE MODO IMANENTE, NÃO LHES COUBE APENAS EM SORTE: DEVEM A SUA AUTENTICIDADE E A SUA RELEVÂNCIA DE FATO."
" IF TODAY NOTHING IS CONSISTENT IS WHY THE CONSISTENCY OF ONCE WERE FALSE. CLOSURE OF REFERENCE SYSTEM AND AESTHETIC IN THE FINAL ANALYSIS, NON-AESTHETIC AND THE DIGNITY OF OWN WORK OF ART HAS NOT CORRESPOND. THE PROBLEM OF AN IDEAL CLOSED COMMUNICATION Society IS ALSO THE IDEAL OF THE WORK OF ART CLOSED. Indisputably, THE WORKS OF ART AS A REPEAT Undeterred reactionaries, LOST THEIR COMMITMENT. PASS THE OPENING BECOMES HORROR VACUI; they speak anonymes, FINALLY , in the empty, EVEN SO immanent, is assigned to them ONLY LUCK: BE YOUR AUTHENTICITY AND ITS RELEVANCE OF FACT. "
" IF TODAY NOTHING IS CONSISTENT IS WHY THE CONSISTENCY OF ONCE WERE FALSE. CLOSURE OF REFERENCE SYSTEM AND AESTHETIC IN THE FINAL ANALYSIS, NON-AESTHETIC AND THE DIGNITY OF OWN WORK OF ART HAS NOT CORRESPOND. THE PROBLEM OF AN IDEAL CLOSED COMMUNICATION Society IS ALSO THE IDEAL OF THE WORK OF ART CLOSED. Indisputably, THE WORKS OF ART AS A REPEAT Undeterred reactionaries, LOST THEIR COMMITMENT. PASS THE OPENING BECOMES HORROR VACUI; they speak anonymes, FINALLY , in the empty, EVEN SO immanent, is assigned to them ONLY LUCK: BE YOUR AUTHENTICITY AND ITS RELEVANCE OF FACT. "
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